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The population of the area was predominantly white as opposed to the ethnically mixed part of London which he had become used to.He described himself as "not really fitting in with the politics of the place." Damon and Jessica both attended a primary school nearby which, according to Damon, was burnt down seven times over a period of 18 months by one of the teachers.Building upon the band's previous two albums, Albarn's lyrics for the album consisted of several third-person narratives.James reflected, "It was all more elaborate, more orchestral, more theatrical, and the lyrics were even more twisted ...Parklife was released in 1994 and revived Blur's commercial fortunes, with the album's first single, the disco-influenced "Girls & Boys", achieving critical acclaim and chart success.Parklife entered the British charts at number one and stayed in the album charts for 90 weeks.
His first band was the synthpop group, Two's a Crowd.
In 1968, at the age of six months, Albarn was a "testing expert" for designs for educational aids and toys for children including fibreglass furniture and play-structures fancifully called "The Kissmequiosk".
"The Apollo Cumfycraft" and "The Tailendcharlie" produced by his father's company "Keith Albarn & Partners Ltd" under the trade-name of "Playlearn, Ltd." Damon and Jessica were also raised in the Quaker religion.
The sessions with Partridge proved unsatisfactory, but a chance reunion with Stephen Street resulted in him returning to produce the group.
Despite the album's poor performance, Albarn was happy with the band's direction and wrote prolifically for Blur's next album.